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Large flutes
along the Gaspe Peninsula, Quebec. These are the
largest flute casts I've ever seen. Flow was from
the top of the image toward the bottom, as indicated by
the pointier end of the flutes, particularly those near
the center of the image. That's Jerry Middleton
holding the ruler. |
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Here's another
bed from the same unit along the Gaspe. These flutes are
oriented differently than those in the above image, and
here flow is from the upper left toward the lower
right. This time, it's Orrin Pilkey for scale. |
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These flute
casts are closer to the usual size. The flows that
produced these flutes traveled from the right toward the
left of the image. |
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Here's a
closer view of the flutes in the above image. You
can clearly see the asymmetry of the structures, and how
the shape changes from a distinct point at the apex of
the structure to a gentle flare at the downstream
end. These are classic. |
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The base of
the bed shown in this photo is more complexly deformed
than the others on this page. Many of the flutes
are nearly superimposed on one another, but you can still
determine paleoflow direction--in this case from right to
left. |
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This is a
two-fer example. The bed in the foreground shows
really nice flute casts, showing flow from right to
left. The beds in the background contain a
different type of sole marking, called wrinkle marks. |
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This example
shows flute casts on the base of several beds, but the
difference here is that the flutes on different beds show
different paleoflow directions. The foreground bed
gives flow directions from bottom to top, while the
prominent background bed shows flow from right to left. |
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This photo
shows how concentrated flute casts can become on the base
of some beds. The photo below shows a closer view of a
portion of this bed. |
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Blow-up of the
above image showing concentration of flute casts.
These flutes show paleoflow from the right toward the
left of the photo. |
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Here's another
sedimentary structure two-fer. The large structure
on the right side of the photo is a flute cast (shown
enlarged in the photo below). The smaller features
are bounce marks, created by an object of some kind
bouncing across the substrate. |
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This is a
closer view of the flute in the above image. In
this photograph, it's possible to get a sense of the flow
regime that scoured the underlying bed on which this
flute formed. Look closely and you'll be able to
see a kind of a swirling fabric, running from the lower
edge of the flute, in a clockwise direction, across to
the upper edge. This fabric is best visible in
roughly the center of the photo, and was likely created
by swirling vortices in the turbulent erosive flows. |
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This image
shows a cross-sectional view of two separate flute casts.
The cut is perpendicular to the paleoflow
direction, such that flow was coming toward you as you
look at this photo. Note the characteristic bulbous
shape of these flutes. |
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Another flute
cast in cross section. This image shows the marked
asymmetry of these structures. In this case, the
steeper side is toward the left (toward the knife) and
the flute merges into the base of the bed toward the
right, indicating paleoflows from the left to the right. |